Alesis 3630
Since its introduction, the 3630 Compressor has become the most popular dynamics processor ever made. The reason is easy to understand: it provides two independent full-featured compressor/ limiters in one rack space while offering excellent sonic quality for any application from studio recording to live sound or broadcast. The 3630 offers Ratio, Threshold, Attack and Decay controls to customize its compression response for even the toughest signals. You can also choose between RMS and Peak compression styles, plus Hard and Soft Knee dynamic curves for every application from subtle gain control to in-your-face punch.
$69.00
Alesis Microverb 4
Designed to provide a wide variety of great-sounding, easy-to-use effects for small studios, engineers and performing musicians. The key to MicroVerb 4's power is in its simplicity. It offers 200 programs that include everything from high-quality reverb, delay, chorus and flange to exciting multieffects and more. To customize your programs, two front panel knobs allow for quick, easy, user-storable edits, or use its MIDI inputs for control over program changes and modulation. You can then save your edited programs in the 100-space user program bank. Even though it's affordable and easy to use, the MicroVerb 4 offers the superb audio quality that you should expect from every Alesis processor.
$150.00
Alesis Midiverb III
The latest instalment in Alesis' classic effects series, the MIDIverb III, is something of a cross between an upgraded MIDIverb II and a cut-down Quadraverb - it includes four effects sections which can be used simultaneously, but doesn't quite have the power or flexibility to stand on a par with the Quadraverb. On the other hand, it is fully programmable and offers more effects facilities than the MIDIverb II, and is therefore a major step forward in this respect. The MIDIverb III comes in a standard 19" rackmount case, and is supplied with an external power supply. There is no power switch, so you either have to switch power off at the mains or pull out the adapter plug if you want to turn the unit off. The front panel sports three knobs, for Input, Output and Mix levels. These are global controls, determining levels for all effects Programs. Next to these are Signal and Clip LEDs, and a three-digit LED display.
$150.00
Alesis MultiMix 12R
Who said you cant take it with you? Our MultiMix line combines studio-quality components and effects processing with rock-solid construction for the ultimate in compact mixers ? all at prices wandering musicians will love. MultiMix FX mixers are the most compact, affordable, high-quality mixers with built-in 28-bit digital effects and choice of configurations. For those who dont need effects, but want 12 channels of transparent Alesis sound packed into a three-space rack, we offer the MultiMix 12R.
$179.00
Anchor AN-130
The Anchor-Audio AN-130 is a 2-way, magnetically shielded, portable P.A. speaker with a black finish, with 30 Watts of amplification, serving the classroom, lecture and presentation markets. This speaker features independent front panel bass and treble controls, along with a volume knob. The rear panel is equipped with 1/4" Microphone and Instrument inputs, along with a pair of RCA line level connectors. The Carbon Fiber woofer is covered by a protective metal grill, and the power supply is internally switchable for international use
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$59.00
Antares ATR-1
Rackmount autotune unit based on a plugin. The ATR-1 has two modes, Program and Song mode. There are fifty programs, each with its won settings for scale, speed & vibrato. Programs can be switched via midi or a footswitch. Song mode is more for live performance. There are twenty songs with up to 15 song steps each. These can be switched as before via midi or footswitch, and each has speed & vibrato settings Inputs & outputs are line-level, balanced on XLR connectors & TRS jacks
$250.00
Audient iD4
Console Mic Preamp ? Class Leading AD/DA Converters ? 1 x JFET Instrument Input ? 2 x Line Outputs ? 1 x Dual Headphone Output ? Speaker On/Off Button ? ScrollControl ? Monitor Pan ? Monitor Mix (Direct Monitoring) ? Audio Loop-back ? True Phantom Power over USB ? USB3.0 Bus Powered ? 24bit/96khz ? Mac, Windows & iOS Compatible ? All Metal Design
$195.00
Audio Authority 1154
The Model 1154 allows one of four signal sources such as satellite or DVD to be played on a home theater system. It uses proprietary Adaptive Signal Sensing? technology to switch between multiple sources automatically. The high bandwidth circuitry accepts Y Pb Pr component video, stereo analog audio, and digital audio in both optical and coaxial formats, and switches all audio and video signals simultaneously when a new source becomes active. Digital audio signals are converted automatically to the desired format
Consignment
$50.00
Audio-Technica AT2020
The AT2020 is an affordable microphone offering versatile features. The AT2020 is ideal for all types of content creators, from musicians and podcasters to streamers. This side-address condenser microphone offers critically acclaimed sound and handles high SPLs effortlessly. With a cardioid polar pattern, this quality mic delivers unmatched sound and reliable performance without any unwanted background noise. The AT2020 condenser microphone is the perfect solution for any home recording studio at an affordable price.
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$59.00
Audio-Technica AT4050
The AT4050 is one of Sweetwater's best-selling vocal mics, and for good reason! Utilizing a low-noise transformerless design and multiple polar patterns, the AT4050 is ideal for use in the most demanding recording situations. It uses dual gold-plated, aged, large-diaphragm condenser elements for extended frequency response, while floating construction elements provide isolation from noise and vibration.
$395.00
Avalon VT-737SP
The Avalon VT-737sp Class A Mono Tube Channel Strip is a combination tube preamp, opto-compressor and sweep equalizer, with output level and VU metering in 2 rackspaces. Balanced mic, front-panel instrument DI, and balanced line inputs. Class A preamp uses 2 cascaded, dual vacuum-tube triodes configured with minimum negative feedback. The Avalon Vt 737sp has a high-gain switch, high-pass filter, and hardwire relay bypass.
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$1595.00
Avid Audio Splitter
The AVID Audio Splitter is a versatile device that allows you to split one XLR male connection into two XLR female connections for easy audio sharing. Its compact and portable design makes it perfect for on-the-go musicians and audio professionals. The splitter has a sleek black color and measures 7.25 inches in length and 5.5 inches in width. This Audio Splitter from AVID is suitable for use in various settings, including live sound, recording studios, and broadcasting. It is a high-quality device that is made in the United States, and it is compatible with a wide range of audio equipment. Whether you are a musician or an audio professional, this splitter will help you to achieve clear and high-quality sound
Consignment-Price Drop
$100.00
BBE 402
When you need just the slightest touch of sonic bliss as a finishing touch to your sound ~ you won't need to look any further than your BBE Maxie. Unlike many Aural Exciters or equalizers, the BBE Maxie does not add any extra noise or harmonics to your sound. This means that you won't be adding future problems in duplication or mastering of your music caused by aberrant high frequency distortion. The BBE Maxie is a dual channel enhancer designed to operate with -10dBu levels. It works by applying phase correction to your high frequencies (which it does by splitting the sound into 3 bands, crossover frequencies being 150Hz and 1200Hz, and applying delays to the two lower bands). Your high band frequencies pass through a VCA and are controlled in relation to the mid band. There are two modes - 'Auto' mode provides dynamic response so that the BBE Maxie expands or compresses the high band in relation to the mid, while in 'Manual' a factory preset expansion ratio is applied. Each channel gives you a Lo-contour and a Definition knob. Lo-contour is for bass EQ at 50Hz, Definition regulates the processing of the high band in relation to your mids and effectively adds more top end.
$59.00
Behringer PMP2000D
The amazing PMP2000D Powered Mixer packs 2,000 Watts of high-efficiency Class-D output power, while maintaining an incredible power-to-weight ratio. With 14 available input channels, the PMP2000D features 9 of our premium-grade ?Invisible? IMP mic preamps with switchable 48 V phantom power, 4 stereo channels, an ultra-high quality KLARK TEKNIK FX processor with 25 presets including studio-class reverbs, delays, pitch shifter and various multi-effects ? and dual 9-band stereo graphic EQs. Top it all off with ?Wireless-ready? operation, thanks to our high-quality ULM digital wireless microphones (sold separately), and the PMP2000D is the ideal, easy to use, and ready for anything live sound solution!
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$225.00
Behringer Ultra-Graph Pro GEQ3102
Route up to 48 mono/24 stereo units. This 48-point patchbay is fully balanced with high-quality TRS jacks, which keeps your system free of noise and AC hum. It has 3 modes including Normal, Thru, and Half Normal, and the best part is that you can change modes via switches on the top side of the unit.
$75.00
Behringer Xenyx 1204USB
The Behringer USB mixer Xenyx 1204USB makes it easy to mix up to six channels of audio at a budget-friendly price. You get four Xenyx mic preamps on the first four channels, plus an additional two stereo channels for line level sources. The 2-bus design lets you route signals to an alternate source, while two auxiliary sends per channel further enhance your routing options. The 1204USB helps you sound your best too, with 1-knob compression and 3-band EQs. Best of all, you can easily record the stereo output of the 1204USB to your computer via USB. It even comes with a suite of free recording and podcasting software. Whether you're mixing live audio or recording in your home studio, the Xenyx 1204USB gives you a lot of features at a budget-friendly price
$125.00
BeyerDynamic M 90 Pro X
beyerdynamics M 90 PRO X true condenser microphone is a XLR microphone for home, project and studio recording. The microphone is the perfect choice for recording vocals, speech and instruments. In addition to its warm, detailed sound, the M 90 PRO X offers an exceptional signal-to-noise ratio, optimal attenuation of popping sounds and excellent workmanship. It meets the requirements and needs of todays creators.
Consignment
$119.00
Beyerdynamic M260.80 (Pair)
The M 260 is a hypercardioid ribbon microphone. This production version, called the ?M 260.80,? has a reduced low-end frequency response; the ?.80? suffix denotes a fixed high-pass filter at 80Hz, implemented within the mics output transformer. This filter is not switchable. It is designed to reduce the natural proximity effect of the ribbon transducer to improve its utility for close-miking applications.
Consignment
$1295.00
Blue Snowball
Few USB microphones are as instantly recognizable as the Blue Snowball even in 2022. This classic ball-shaped mic has been making the rounds now inside the bedrooms of every would-be podcaster and musician around, though, even well over a decade after its introduction, the Blue Snowball is easily up there as one of the best microphones around in our view.
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$39.00
Cad m9
The M9 is a cardioid single tube externally biased condenser microphone that features servo-valve technology. It's a natural bridge between the valve technology developed for CAD's VX2 microphone and the servo op-amp technology developed for their M-Series mics. The M9's head amp is a 12AX7 tube in a circuit optimized for super wide dynamic range and low noise. The output stage (balanced high speed dual op-amp) allows for long cables without affecting microphone performance.
$149.00
Chandler EMI TG12413 Zener Limiter
The Chandler Limited EMI TG12413 Zener Limiter is the definitive TG limiter, released in honor of Abbey Road Studios' 75th birthday. The brainchild of Chandler Limited designer Wade Goeke, the Zener Limiter is based on the classic EMI circuits used to record The Beatles and Pink Floyd. This latest EMI limiter carries on the tradition of EMI limiters started in 1956 with the RS114 tube limiter, and continued with 1966's RS168 Zener Limiter (a component of the TG12345 console channel in 1968), and the TG12413 in '74. Start with the essence of the classic RS168, add modern functionality, and you have the Chandler Limited EMI TG12413 Zener Limiter.
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$4295.00
Crown CTs 8200
Features High power density. All two channel models and four channel model in a 2RU chassis, eight channel model in a 3RU chassis Crown Switching Power Supply for lighter weight Selectable "Constant-Voltage" or low-impedance (4/8 ohm) operation per channel on 2-channel models, and per channel-pair on 4-and 8-channel models 100V direct outputs on CTs 2000, CTs 3000, CTs 4200, and CTs 8200 Legendary Crown class-I (BCA) and AB B output topologies offer the best in amplifier reliability 4- and 8-channel models offer perfect independent power solutions for multi-zoned systems? "FIT" (Fault Isolation Topology) circuitry on 4- and 8-channel models isolates fault conditions without affecting neighboring channels Comprehensive array of indicators provide accurate diagnostics Two-channel models are fully PIP2-compatible. Multi-channel models accept MC accessory modules.
$175.00
Crown PZM6D
The Crown PZM-6D is a Pressure Zone Microphone with an attached cable. It's designed for professional recording, sound reinforcement and broadcasting. It has many applications, from miking full orchestras or individual musical instruments to security or teleconferencing. The mic has a switchable dual frequency response: rising (R) or fl at (F). The "rising" position adds brilliance. This makes it useful wherever a crisp attack is desired, such as on percussion, drums, or piano. The user can get a bright sound without boosting high frequencies on the recording console; the result is lower noise. The "flat" position provides a smooth, flat, high-frequency response for natural sound reproduction. The PZM-6D has a smaller plate and its low profile, unobtrusive appearance is appreciated in conference rooms, as well as on television, film and video productions. When suspended over an orchestra on a clear panel, the PZM-6D practically disappears. Its miniature, permanently attached 15-foot cable also reduces visual clutter. The output is a male 3-pin XLR-type, balanced and low impedance, which permits long cable runs without hum pickup or high-frequency loss.
Consignment
$295.00
dbx 1531X
Your dbx 1531X unit is a versatile, compact, one rack-space equalizer. A rear panel MONO/STEREO Mode switch selects operation either as a 31- band 1/3 octave EQ or as a dual 15-band 2/3 octave EQ. In either mode, the filters feature a constant-Q topology which reduces interaction between adjacent bands to ensure close correlation between the filter settings and the actual frequency response of the 1531X. The metal-shaft faders have an unusually long throw for a single rack-space EQ, and are switch-selectable to produce either 15dB or 7.5dB boost and cut.
$75.00
dbx 266
The superb engineering in the 266 ensures that both its compression and gating provide versatility and excellent sonic performance in situations where other compressor/gates typically produce undesirable processing artifacts. The 266s advanced gate circuitry uses a completely new, program-dependent timing algorithm to produce ultra-smooth release characteristics?even with complex signals, such as voice or reverb decays.
$59.00
dbx Driverack PA
The best just got even better! The DriveRack PA, far and away the world's most popular loud speaker management system has now become the DriveRack PA ; the best has indeed gotten better. Showcasing all the features that users around the world have come to expect, including easy setup, rock-solid reliability and unparalleled sound quality, this version of DriveRack has gone to great lengths to earn its "plus." With more settings, more control and enhanced circuitry, the sound you seek is right at your fingertips.
$295.00
Digidesign Pro Control
Welcome to ProControl, Digidesigns dedicated mixing and editing controller for TDM-equipped Pro Tools systems.Its dedicated controls allow easy navigation through Pro Tools functions, including recording, mixing, editing, grouping, Plug-In control, and automation. Through the use of motorized faders and data encoders (rotary knobs), automation and mixing can be handily performed and given visual reference. Controller movements from ProControl are immediately reflected in Pro Tools on-screen controls, and vice versa.
$495.00
Drawmer 1974
The Drawmer 1974 is a vintage-style stereo 4-band parametric equalizer that delivers the exceptional clarity and analog musicality golden-eared engineers at Sweetwater have come to expect from the English company, which has been making world-class pro audio gear since the early 1980s. The 1974, not surprisingly, takes its sonic inspiration from the great-sounding analog equipment of that era. The 1974 is an EQ for all seasons. You can use it in mastering for subtle shaping tasks that demand a light touch and easy recall, but it's just as capable at surgical sculpting. However you use it, the Drawmer 1974 imparts classic analog warmth and character that is very difficult to emulate in the digital domain
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$995.00
Earthworks QTC1 Microphones
A small diaphragm condenser microphone that is designed for use in the recording studio. It is a high definition microphone and it picks up frequencies between 4 Hz and 40 KHz, which is a huge difference when compared to normal microphones. The mic has an omnidirectional polar pick up pattern and comes in a case along with a sturdy clip to fit the size of the mic.
Consignment
$1295.00
EAW UB12Se
Despite its compact size, the UB12Se will faithfully deliver high output, high definition sound for a wide variety of professional applications. All system elements, including drivers, crossover/filter components, and the enclosures themselves are designed to meet EAWs rigorous standards for reliablility and durability. The system operates in fully passive mode with an internal passive crossover/filter network both dividing the signal and providing critical equalization function
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$200.00
Electro-Voice Everse 8
The Electro-Voice Everse 8 is a compact, portable, and adaptable PA speaker. It is designed for touring acts like singer-songwriters and even full bands when used with a mixer to expand its inputs. The EVERSE 8 is a weatherized model that combines all the features that any user would wish for performance, vocal reinforcement and/or audio playback, be it at the professional, amateur or recreational levels.
$495.00
Electro-Voice SX300
Electro-Voice Sx300 two-way, high-efficiency, passive speakers. Featuring DL12Sx 12" woofers and DH2010A compression drivers enclosed in extra-durable molded black plastic cabinets, these speakers sound amazing, function well in a variety of settings as either mains or monitors, and are lightweight (33 lbs. each), portable, and simple to set up
$295.00
Empirical Labs EL8-X W/British Mod
The Empirical Labs Distressor EL-8XM single-channel analog compressor adds some distinctive British flavor to an already outstanding unit! The EL-8XM provides the aggressive "all buttons in" characteristics obtained from the classic LN1176, courtesy of an onboard British Mode switch. While the Distressor can function very smoothly and transparently, the addition of the British Mode allows it to take on a very "un-subtle" character, giving you the best of two compressors in one! If you want the functionality of a Distressor plus aggressive "British" vibe, choose the EL-8XM
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$1295.00
Empirical Labs EL8X
Automatic gain (or volume) control device (AGC in engineering terms) designed for pro audio (music) applications. Basically, it electronically controls the volume of just about any source in a very pleasing, and "musical" manner - adding fullness, intelligibility, and especially in the Distressor's case - excitement. This type of device is often called a "limiter" or "compressor" by audio industry people. Its most probable uses will be in recording studios, live sound situations, movie sound production, and radio broadcast production.
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$1295.00
Fender Passport PD=250
Versatile, portable PA system ideal for small events, presentations, and musical performances. With 250 watts of power, this system includes a powered mixer and two full-range speaker enclosures, all designed for easy transport and quick setup. The mixer provides four mic/line inputs with XLR and 1/4" combo jacks, plus built-in reverb and tone controls for each channel, along with stereo RCA inputs for media playback.
Consignment
$295.00
Focusrite Clarett 8PreX
The flagship Focusrite 26 in / 28 out interface has been designed with the permanent racked studio install in mind, featuring extended ADAT i/o, and separate rear panel inputs for mic and line, as well as dedicated phantom power, phase reverse and high pass filters on every channel. The 26-in, 28-out Clarett 8PreX combines eight mic preamps, class-leading digital conversion and extra-low round-trip latency -- enabling DAW plugins to be used while monitoring recordings. Clarett's mic pre offers superbly low noise and distortion, plus the "Air" effect that models the sound of Focusrite's renowned ISA transformer-based preamps. Complete with Focusrite's precision 24/192 conversion offering up to 119dB real-world dynamic range, there's never been a better, faster, or easier way of getting audio into or out of a DAW
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$550.00
Focusrite Red 6
With four mic pre-amps in a single unit, the Red 1 is ideal for those looking for improved audio performance, as a compact ?way in to digital recording systems, or for location multi-mic recordings. Each channel offers custom-wound Focusrite input transforers, switchable phantom power, phase reverse, an illuminated VU meter, and a handy scribble disc for denoting channels. Mic gain is also switched for accurate, precise channel matching and recall.
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$1595.00
Furman PL-Pro C
The PL-PRO C 20A Power Conditioner with Voltmeter from Furman brings together superior protection and outstanding performance in a sturdy, rack-mountable design. The Classic Series features Furman's revolutionary Series Multi-Stage Protection (SMP), Linear Filtering Technology (LiFT), and Extreme Voltage Shutdown (EVS). Together, these technologies comprise what is, without question, one of the world's most advanced and comprehensive transient voltage surge suppressors.
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$225.00
Furman Rackrider RR-231
The dual-channel RR-231 divides the spectrum into 31 bands, each spaced 1/3 of an octave apart. The actual center frequencies chosen are those designated as standards by the ISO. Each slider allows an EQ adjustment of /-6 dB or /-12 dB, depending on the setting of the Range switch. Built using compact 20 mm sliders two rows of 31 bands fit into just 2 rack spaces. Though small, the sliders are of high quality and have a smooth, silky feel. They are center detented for quick, reliable identification of the zero setting
$95.00
Genelec 1030A
The Genelec 1030A is a very compact bi-amplified active monitor system, which has performance comparable to much larger systems. The vented speaker enclosure has an amplifier unit set into the back. This unit contains an active electronic crossover, overload protection circuitry and two power amplifiers: one for each driver. The systems excellent dispersion and precise imaging together with its compact size make it ideal for near field monitoring, broadcast and TV control rooms, mobile vans, home studios and travelling engineers.
Consignment
$1100.00
Genelec 1032A
The Genelec 1032A is a powerful two-way active monitoring system including magnetically shielded drivers, speaker enclosure, multiple power amplifiers and active low signal level crossover. Due to its compact size , this system is ideal for high power near field monitoring. Furthermore, it is well suited to general purpose broadcasting applications, TV control rooms, mobile vans and CD mastering as well as home studios. The unique Directivity Control Waveguide? (DCW ?) Technology used provides excellent stereo imaging and frequency balance even in difficult acoustic environments.
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$2995.00
IK Multimedia Axe I/O
AXE I/O is a professional 2 in/5 out audio interface ? and controller - designed specifically with the needs of the recording guitarist in mind, providing best-in-class sound quality and powerful features aimed squarely at making your recordings faster, easier and better than ever.
$175.00
IK Multimedia ILoud MTM
Following on from the popular iLoud Micro Monitor, the iLoud MTM introduces a double woofer system and the ability to tailor the sound to the room. This is a feature packed studio monitor in a compact package, capable of near flat frequency response and revealing incredible detail.
$400.00
JBL 308P MKII
JBL 308P MkII active studio monitors are a great near- and midfield solution for any serious audio engineer or music producer. They're great for mixing music in your DAW software, editing video, or any other task that requires monitoring accuracy. JBL designed the 308P MkII with advanced features acquired from their 7 Series and M2 Master Reference Monitor, making legendary JBL performance accessible to every studio. JBL's innovative Image Control Waveguide works in concert with refined transducers to deliver a well-defined and incredibly dimensional stereo image.
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$275.00
JBL LSR310S Subwoofer
Extend your system LF all the way down! The LSR310S subwoofer incorporates JBLs patented Slip Stream? Port working in concert with a custom 10" down-firing driver and a 200 Watt amplifier to add deep, powerful bass to any studio monitor system. A JBL first, the XLF Extended Low Frequency setting lets you hear your tracks with the augmented bass tuning used in todays dance clubs.
$275.00
JL Cooper PPS-1
The PPS-1 allows MIDI sequencers and drum machines to sync to tape and gives them the ability to "chase tape". This feature resembles SMPTE in that the tape can be started anywhere in the song. Conventional sync boxes require that you always start at the beginning of the song
$75.00
Kenton Midi USB MKII
The Kenton MIDI USB Host MKII will interface with the USB port on your EWI USB or AE-10 / AE-10G Aerophone and provide a MIDI OUT connection that you can connect to your MIDI synths so that you can control them with the wind controller. We here at Patchman Music have tested this device with the Akai EWI USB and the Roland AE-10 / AE-10G Aerophone wind controllers and they worked great with the Kenton MIDI USB Host MKII!
$80.00
Lindell 6X-500 Preamp
The Lindell 6X-500 juices your 500 Series rack with a single-channel transformer-coupled mic preamp along with a passive 2-band Pultec-style equalizer. This all-discrete design, based upon the highly respected 990 op-amp, gives you an EQ section with the magical sound of a classic Pultec. With a 15db boost of the silkiest high end you'll ever hear and stunningly punchy low end, you'll wonder how Lindell managed to stuff a Pultec into this little module. Arm your studio with the fast, in-your-face sound of the delightfully affordable Lindell 6X-500
$215.00
Little Labs PCP 3.0
The Little Labs PCP Instrument Distro 3.0 is an all-in-one triple transformer-isolated guitar splitter, triple output/input re-amping tool, active line-level direct box, and long guitar cable driver. Re-amp inputs and instrument inputs are selectable and sum together for each output. Each output has a selectable polarity, earth lift, and level control. The PCPs' functionality has not changed in the 26 years it has been in production, but the internal electronics have been revised and improved. The name PCP was a joke in 1997 at A&M Studios, where I developed the first "Professional to Cheesy Pedal" distro; the name does not tell the whole story.
Consignment
$995.00
Mackie HR824
With one repaired woofer. An active, biamplified speaker that delivers a wide, deep, and incredibly detailed sound field. Delivers 150W for the lows, 100W for the highs. Features a 1" alloy dome high-frequency transducer, an 8-3/4" low-frequency transducer, 1/4" and XLR inputs, overload/clip LED, and logarithmic wave guide.
Consignment
$295.00
Midas Venice F16
The VeniceF-16 16-Channel Hybrid Console Mixer from Midas is a versatile hybrid mixer that bridges the gap between analog and digital audio consoles. It provides the ease-of-use, warmth, feel, and zero-latency of analog mixers, combined with the power, choice, and flexibility of outboard digital processing. The mixer has 8 mono and 4 stereo mic inputs on XLR connectors, plus 8 mono and 4 stereo line inputs on TRS connectors. There are 2 stereo aux returns, 1 stereo playback input, a talkback mic input, 6 aux mix busses and 4 audio subgroups to provide exceptional connectivity. It even provides stereo and mono master outputs, a 7 x 2 matrix, and a 16 x 16 channel FireWire interface.
Consignment
$895.00
MOTU Track 16
MOTU's Track16 desktop recording interface gives you the quality, versatility, and expandability you need to build a reliable recording rig that can grow and adapt to your needs. Intended to fit into any small to midsize recording rig, MOTU designed the Track16 to keep your invaluable desk space clear, while giving you access to a full set of hands-on controls. Need to tweak mic input 1? With the push of a button, the Track16's large central button lets you grab the level you need. The same thi
$75.00
Native Instruments Traktor Kontrol S2 MK3
With larger, redesigned 5.5? precision jogwheels, the TRAKTOR KONTROL S2 MK3 2-channel DJ system boasts a club-standard layout, 2-channel mixer and fast control of key TRAKTOR features. Sixteen RGB performance pads let you trigger hot cues, loops and samples, while the mixer sections 3-band EQ lets you dial in the perfect sound on the fly. The smooth, accurate jogwheels offer two operation modes. Jog mode delivers the classic, spin-to-nudge function, as well as scratch capability. Beatgrid adjust mode lets you use the jogwheel to manually adjust beatgrid in TRAKTOR. Updated mixer FX give you instant one-knob FX and filter control on each channel. Choose from eight FX and three filter types to assign to four hardware FX slots. Pro mixer layout boasts a redesigned monitoring section and four dedicated slots for mixer FX plus filters.
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$175.00
Neumann TLM 170
The TLM 170R is known for its striking transparent sonic characteristics. Excellent impulse response is a major contributing factor to this lack of coloration that many engineers have come to love. Unique circuitry enables you to change polar patterns remotely via the N48R2 power supply. The TLM 170R is sure to make your next recording shine
Consignment
$2095.00
Oktava MC 012-01 Pair
The Oktava MC-012-01 is a small diaphragm condenser microphone that is made for use in the recording studio.? It has the ability to use different pick up patterns as it has different caps for different patterns including ones for cardioid, hypercardioid, and omnidirectional.? Each one also comes with its own mic clip.
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$395.00
Peavey PR12
The Pro Lite series delivers superior sound quality by utilizing advanced materials, like its lightweight, roadworthy molded polypropylene exterior. The PR 12 is a two-way speaker system that is lightweight yet rugged for live music or speech applications and will handle 400 watts program and 800 watts peak. It utilizes a heavy-duty 12 inch woofer with a 2 ? inch voice coil and a RX14 1.4 inch titanium diaphragm compression driver coupled to a constant directivity horn. Its durable injection molded enclosure features a black powder-coated steel grille that provides driver protection and a professional appearance. This system can be used on the floor, be pole mounted or flown via top and bottom flying inserts. Connections are made via two 1/4" phone jacks connected in parallel to accommodate daisy-chaining.
$195.00
Presonus EQ3B
The Presonus EQ3B Parametric Equalizer offers 3 bands of fully parametric equalization. Each band is overlapping with adjustable frequency range, Q, and cut/boost control. The faceplate also houses a bypass button and 80Hz roll-off. Other specifications include -98dB noise floor, 24dBu headroom, truly balanced I/O, and a wide frequency response. The back of the equalizer unit houses balanced XLR and unbalanced 1/4" TS inputs and outputs. the EQ3B is powered by an external wall-mounted power supply.
$95.00
Presonus StudioLive 16-4-2
You'll never go back to an old-skool analog mixer once you've used StudioLive?. With its incredible signal-processing power on every channel, easy store and recall of every setting, and the ability to record it all with just two mouse clicks, you'll get spoiled fast! Easier to use, better sounding, and flawlessly integrated with state-of-the-art software, it delivers the most creative environment possible for both live performance and studio music production. But StudioLive is not simply a mixer, it's a rapidly growing family of state-of-the-art, integrated hardware-software mixing and recording systems that deliver the features you need for live sound, live recording, and studio recording.
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$450.00
RadioShack 4 Way Speaker Selector
The RadioShack 40-244 speaker selector switch lets you control up to four pairs of speakers from a single amplifier. A convenient solution for home audio, allowing you to choose and activate one or multiple speaker sets at the same time.
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$15.00
Rane ME15B
The 2-channel ME15B's features include fully balanced inputs and outputs and 3-pins XLR and 1/4" TRS connectors. The active filter sections feature Rane's innovative constant-Q (constant bandwidth) design. This means the bandwidth of each filter is guaranteed to be narrow enough to prevent unwarranated interaction between filters, yet wide enough to produce exactly the type of correction curve demanded by even the most unusual acoustic surroundings
$80.00
Rane SL1
The Rane SL1 combined with Serato Scratch Live set the standard for vinyl emulation, giving you the freedom to take your entire digital music collection on the road and equipping you with advanced features that add extra creativity to your DJing. This intuitive system replicates the traditional DJing experience for ?real feel? usability. With unparalleled performance and stability, you'll know why thousands of DJs worldwide choose the Rane SL1 and Serato Scratch Live.
$95.00
Realistic Minimus 7
The Minimus 7 is little only in size, not in performance - it's a real giant in concert hall sound. The high compliance woofer element gives astounding bass and the dome tweeter produces crisp, clean highs. Careful acoustic design matches the two dynamic elements with the enclosure and damping materials - resulting in amazingly smooth, broad frequency response.
Consignment
$59.00
Roland Studio Capture
With the new STUDIO-CAPTURE, Roland once again raises the performance standard for computer-based audio production. The latest addition to the acclaimed CAPTURE family boasts 12 premium-grade mic preamps, an industry first for a compact USB audio interface. A total of 16 audio inputs, 10 audio outputs, and MIDI I/O offers massive connectivity for pro-level setups, all in a single, tabletop unit that fits easily into a travel bag. Other top-flight features include 24-bit/192 kHz audio quality, comprehensive front-panel metering, XLR monitor outputs with dedicated level control, dual headphone outputs, rock-solid drivers with VS STREAMING technology, and much more. Durable, portable, and ready to take on large-scale recording projects both in the studio and on the road, STUDIO-CAPTURE stands head and shoulders above all other USB audio interfaces on the market
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$450.00
sE Electronics Z-5600
The SE Electronics Z5600 is a tube capacitor (condenser) microphone with an amazingly low price tag. It comes with a suspension mount and an external power supply. (Some of those high-end European manufacturers make you pay extra for the suspension mount - as much as a good mic sometimes!). Tube microphones generally do need external power supplies; those that can run from phantom power are rare. However, this type of mic will most likely only ever be used in a studio, rather than for live work or location recording, so it doesn't really matter. One interesting feature is that even though this mic is quite low in cost, it offers multiple patterns all the way from omnidirectional to figure-of-eight with more intermediate stages than you would expect. These are selected on the power supply rather than on the microphone. As a tube mic, you would expect a more 'present' sound than a transistor microphone. Combined with the large diaphragm, this will give an upfront, quite in-your-face sound quality. You should also expect a little more noise, but as the typical usage would be close to the sound source you should not find this a problem.
$550.00
Shure 55SH Series II
If you want to capture a classic look, you need the gear to match the genre. Nothing completes the style quite like the 55SH Series II, a microphone that has been gripped by legends for decades. Others may imitate, but none can duplicate the form and function standards Shure has held from our first Unidyne mic to our latest.
$125.00
Shure MX393/O
There's never been smarter boundary microphones than the Microflex models from Shure. With many models to choose from, equipped with features like programmable, silent membrane switches, logic inputs and outputs, and LED indicators, Microflex Boundary microphones are the high-quality solution for a range of applications, such as altars, boardrooms and distance learning centers. Cardioid, supercardioid and omnidirectional polar patterns Programmable, silent membrane switch LED indicator
$150.00
Shure PG56
The Shure PG56-XLR Dynamic Drum Microphone has a sturdy die-cast housing that contains a rugged dynamic cartridge with neodymium magnet that's tailored for snares and toms. Internal shockmount and a hardened steel grille prevent handling noise and ensure years of trouble-free service. Frequency response: 50Hz-15kHz. Shure includes clip, mic pouch, drum mount, educational guide, and 15' XLR cable with your PG56-XLR Mic.
$65.00
Shure SLX4 W/Beta58
The Shure SLX4 is a single-channel rackmount wireless receiver housed in a rugged metal chassis. It is compatible with the SLX1 bodypack and SLX2 handheld transmitters as well as the MX690 boundary and MX890 desktop base transmitters. The receiver offers high-quality, reliable audio to presenters, clergy, lecturers, and performers working in business and educational settings, houses of worship, theaters, or on musical stages.
$350.00
Shure ULXD4D-H50
W/SM58 and Lavalier. Shure ULXD4D houses 2 independent digital receivers in a rugged, single-rack unit with an internal power supply. Two Ethernet ports support Dante digital audio, while RF cascade ports allow for antenna signal distribution to another receiver unit. Audio summing enables the receiver to function as a 2-channel mixer. The ULX-D Series simplifies the set up and management of large numbers of wireless systems. It is ideal for professional sound reinforcement applications in large live venues and houses of worship as well as A/V installations in conference, educational, and corporate facilities. Compatible with a wide selection of Shure transmitters and mic capsules, it delivers pristine 24-bit/48 kHz digital audio, capturing every detail with clarity, accurate low end, and crisp transient response
Consignment
$2695.00
Shure ULXK1-H50 Body Pack
The ULXD1 is a wireless bodypack transmitter compatible with ULX-D? Digital Wireless Systems. With a rugged yet lightweight aluminum case, the ULXD1 delivers uncompromising audio quality and RF performance, AES 256-bit encryption for secure transmission, and advanced rechargeability options for professional sound reinforcement applications.
Consignment
$295.00
Shure UR1 J5
Tour sound professionals know the audio has to be right ? the first time and every time! That's why more pros count on Shure wireless mic systems for their most demanding gigs. The Shure UHF-R Series offers 2,400 frequencies and the highest quality components, including the UR1 bodypack transmitter
$145.00
SM Audio PR8DS
Pro Audio PR8DS 25pin output PR8E.The PR8-DS from SM Pro Audio is an 8 channel microphone preamplifier. The unit features front panel XLR/TRS jack "Combo" input connectors, and 48V phantom power switchable for each channel. Outputs are available via a rear panel 25-pin D-sub connector.SM Pro Audio PR8DS Features:8 microphone preamps Ultra-wide dynamic range with low-noise operating levels
$95.00
Sony ECM-MS5
Specifications Type: condenser Polar pattern: cardioid Frequency Response: 70Hz - 20kHz Output Sensitivity: 10mV/Pa Max SPL 130dB for 1%THD Self Noise (CCIR): 20dB Output Impedance: 150? Powering Phantom: 12-48 Supply Current: 2mA Alternative Powering Battery operation with optional DC-MS5 Switchable Options Filter/EQ 250Hz Physical Characteristics Connector: XLR-5M Available Colors: Black Weight: 215g (7.57oz) Length: 212mm (8.34") Max Diameter/Width: 47.5mm (1.87")
Consignment-Price Drop
$495.00
Tascam 144
In 1979, TEAC launched the groundbreaking TEAC 144 PORTASTUDIO?the world's first four-track multitrack recorder using a standard cassette tape. Compact yet high-quality and affordable for individuals, the arrival of the "144" transformed music production from an exclusive experience reserved for professional studios into one accessible to everyone. Its innovation earned accolades from publications such as Billboard and Pro Sound News, calling it "the most revolutionary product in history."
Consignment
$225.00
Tascam CD-RW900MKii
A TEAC tray-loading transport ensures years of reliable operation in the most demanding installations. This transport also allows gapless recording when writing track markers, something not possible using off-the-shelf PC drives. Various recording features like automatic track creation help the operator create polished recordings without constant supervision. An AKM AK4528VM is used for AD/DA conversion for clean, clear sound quality with a frequency response of 20Hz to 20kHz /-0.8dB. Whether used for PA/Sound Reinforcement playback, studio, mastering or broadcast, the CD-RW900MKII is TASCAM's latest generation of reliable CD recording and playback.
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$250.00
Tascam DP-006
Portable digital recorders are a necessity for all songwriters, and the TASCAM DP-006 Digital POCKETSTUDIO is a great choice. Jot down all of the key components to your songs using this professional sounding multi-track recorder. Be ready wherever creativity strikes. Built-In High-Quality Stereo Condenser Microphones The DP-006 comes with two condenser microphones built directly in the front of the unit so you can record vocals or acoustic guitar anytime without the need for extra equipment or set-up time. TASCAM held many evaluation tests to secure the best sounding microphones and structures. Modeled after the top-selling DR series microphones, you can be assured you're receiving top-quality, Moreover the DP-006 was designed with a tripod mount for versatile set-up and placement.
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$150.00
TC Electronic Platinum Voicemaster Pro
The VoiceMaster Pro is designed to create the perfect vocal sound at an unbelievably competitive price point. The unit bridges the gap between the flagship ISA 430 'Producer Pack' and the original VoiceMaster, featuring design aspects from both the legendary ISA range and the award winning, cost-effective Platinum range.
$395.00
TC Electronic Powercore
PowerCore FireWire provides a significant amount of power, with fast DSPs and oodles of RAM. It is ideal for high-end production environments where the uppermost quality and processing capabilities is required. Designed for serious studios and professional applications, the PowerCore FireWire is sure to deliver, and it will take care of even the most demanding tasks and requirements.
Consignment
$325.00
TC Helicon VoicePrism
VoicePrism is a single-box voice formant and pitch processor. Designed primarily for use on vocals, VoicePrism is strictly a mono in/stereo out processor. Features include line- and mic-level inputs (a built-in preamp with phantom power is standard), compression, gating, dual parametric EQ, 4-voice harmony (with individually adjustable gender controls and humanizing parameters), fifth-lead doubling voice for automatic double-tracking, and two separate post-effects blocks with chorus/flange, delay and reverb, and harmony libraries. Harmony effects can be created by ?reading? the input signal or may be driven by a MIDI input from a keyboard or sequencer, allowing for super-accurate harmonic doubling or for creating multivoice chords and textures that simply cant be sung.
$195.00
Telos Zephyr Z/IP One
Z/IP ONE is a 1 RU rack-mount IP codec for remote broadcasting. It's a single-space rack unit perfect for studios, TOCs and remote kits. Z/IP ONE Includes a full range of codecs including AAC-ELD, AAC-HE, AAC-LD, MPEG 4 AAC, MPEG 2 AAC, MPEG Layer 2, G.711, G.722 codecs, plus linear audio and optional aptX? Enhanced coding. Z/IP ONE supports SIP 2.0 protocol and conforms to N/ACIP standards; it also works with VoIP devices and connects to compatible SIP PBXs. A choice of Livewire AoIP with standard analog I/O, or optional AES/EBU I/O, is available.
Consignment
$495.00
Universal Audio Apollo Solo
Windows Only. Experience class-leading Apollo sound ? as heard on hundreds of hit records Record your vocals and synths in realtime through classic mic preamp emulations from Neve, API, Manley, Avalon, and more Enjoy clear, detailed monitoring with the best-sounding headphone amplifier in its class Create on-the-go using a sonically superior bus-powered interface with rugged all-metal construction
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$250.00
Universal Audio Twin-Finity 710
The Universal Audio 710 Twin-Finity mic preamp/DI gives you the best of tube and solid-state tones ? and even lets you blend them together! The 710 houses a Class A FET mic preamp, as well as a Class A tube pre. A Tone Blending knob lets you take the 710 from solid-state "bite" to a classic tube circuit and lets you continuously blend them to nail your signature sound. The Twin-Finity's dual gain stage controls also let you crank up the gain and add tasty vintage-style coloration to your signal.
Consignment - Just In!
$625.00
Warm WA-87 R2
The WA-87 R2 is an authentic reproduction of a truly iconic mic from the late-60s that is widely considered to be one of the greatest studio mics ever designed. Original 87s boast an artist roster that spans Paul McCartney & David Bowie all the way to Calvin Harris & Ed Sheeran.
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$425.00
Yamaha HS5
The Yamaha HS5 active studio monitor will help you make better-sounding recordings. Yamaha's nearfield monitors with those iconic white-coned woofers have been ubiquitous in top studios worldwide ever since the original NS-10s hit the scene in the late '70s. Yamaha has continuously developed and perfected their monitors, resulting in HS series monitors with newly designed bi-amplified drivers and scientifically ported enclosures that deliver amazing accuracy and vanishingly low coloration. Don't mix in the dark. Nail what you're after without the guesswork, with Yamaha's HS5.
$250.00
Yamaha HS80M
The Yamaha HS80M speaker is a 120W, biamped reference monitor with an 8" neopropylene woofer and 1" tweeter. Designed to deliver an honest mix, the HS80M monitor speaker has a flat 42Hz-20kHz frequency response. Room control and frequency response switches allow custom tailoring of the monitor's response, making it perfect for all types of recording and multimedia applications. Easily create a 5.1 surround sound setup with the addition of an HS10W powered subwoofer (sold separately). Enclosure is constructed of high-quality MDF material and feature a multi-layer finish that minimizes resonance.
$350.00
Yamaha M406
The Yamaha M406 is a sophisticated six input channel, stereo output sound reinforcement mixer designed for rack mounting in fixed installations or portable cases It is an excellent choice as the sole mixer in a small club, meeting room, school, church, or similar application. A smoked plexiglas security cover may be installed to prevent unauthorized tampering with control settings. The M406 also makes a fine submixer to augment larger mixing consoles in more complex sound systems, including the record, broadcast, film and video production environment. The M406 is brings you the same advanced M-series features and technology found in our PM-2000, but in a compact. portable package. Rugged, internally modular PC board construction ensures ease of servicing and years of reliable operation. There are echo and program bus sub inputs and sub ou tputs for linking two or more mixers, and a wide range 3-band EQ. Phantom power for condenser microphones is standard, with 0n/0ff switching. Input sensitivity is adjustable for virtually any microphone or line level source by means of a positive, repeatable input level switch on each channel. Theres plenty of internal headroom so there is no distortion even during the loudest and most complex of mixing jobs, and 24 dBm 600 ohm balanced output deliver that clean signal to any professional sound equipment. Overall, the M406 has the attractive appearance, smooth control feel and superior sound quality you?ve grown to expect from Yamaha.
Consignment
$495.00
Yamaha MG10XU
With its rich features and outstanding sound quality, Yamaha's MG10XU analog mixer is well-suited for smaller, portable rigs. This 10-channel analog mixer features USB connectivity to integrate into a DAW-based workflow. What's more, it has onboard digital effects to polish the natural-sounding bass and smooth highs to perfection. The MG10XU comes loaded with crystal-clear D-PRE preamps to squeeze every drop of tone from your mics and a quality op-amp to ensure your mix sounds transparent and articulate.Featuring onboard digital effects, switchable phantom power, a pad switch, one-knob compressors, EQ, and LED metering, the MG10XU can take on just about any task you throw at it. Thanks to its battery of state-of-the-art features from Yamaha's high-end consoles, the MG10XU is ready to work for you
Consignment - Just In!
$195.00