Vintage Gear

 Straight Mic Stand

Akai IB-M208P

8 output expander for MPC2000 and MPC2000XL

Ampeg Reverberocket R12R

The Reverberocket was introduced in 1961, and was the first amp to have built in reverb. The reverb was 1 knob, and the tremolo was 2 knobs. The power amp had 2 x 6V6GT, and the output was 15 watts RMS @ 8 ohms The preamp section had 2 x 6SL7, and 2 x 6SN7. the rectifier was a 5Y3GT. It had 3 inputs - guitar, harp, and accordion, and other than the reverb and tremolo controls, a volume and tone. Obviously all the wiring was PTP.

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Beyer M 500 N

The M500N(C) is a hypercardioid ribbon microphone in a traditional handheld form-factor with an XLR connector and low impedance output. It was first produced in 1969, and discontinued around 1990. Famously a ubiquitous live vocal mic in the 1970s. Made in West Germany.

Beyerdynamic M 500

This is a single ribbon as opposed to Beyers M160 double ribbon microphone. The M500 has a transformer with a high pass filter that eliminates proximity effect and allows the high end to shine. This ribbon microphone is very useful on many sources! Whether its guitar amps, a mono overhead, hi-hat, vocals, or horns, this M500 will get the job done. Beyerdynamics vaunted M Series, the M 201 is a dynamic pencil microphone with a 40Hz to 18kHz frequency response that honestly recreates any sound across nearly the entire audio spectrum. Its hostaphan diaphragm has incredible impulse response, which makes the M 201 ideal for louder instruments such as guitar amps and snare drums. However, the M 201's focused, hypercardioid polar pattern and slight treble boost make it an excellent choice for speech-based recordings as well. Finally, an internal hum compensation coil that reduces electromagnetic interference (EMI), coupled with a tiny shape and size, means that the M 201 is extremely easy to implement into any stage or studio setup

Conn ST-11 Strobetuner

The Conn Strobotuner ST-11 is a highly regarded vintage tuning device celebrated for its exceptional accuracy and robust design. This model features a rotating strobe disc that provides a visual representation of pitch, allowing musicians to achieve precise tuning with ease. The tuner includes its original microphone

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Ensoniq ESQ-1

Similar to the Mirage synth/sampler, the ESQ-1 was Ensoniq's highly affordable and impressive digital synthesizer, released in 1986. Although the waveforms are digital in nature, the filters are all analog as on the Mirage. In fact, for a digital synth the ESQ-1 has many good old analog-synth features such as a ring modulator, sequencer, and oscillator-sync. The envelopes and LFOs are can be freely routed to each DCO, VCA and or VCF. There are 40 preset sounds which are the usual not-so-great sounds. Luckily the VFD display screen is large enough to make editing the sounds somewhat pleasant.

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Fulltone Tube Tape Echo

There is nothing funnier than the makers of this new wave of digital and chip-based delays claiming to "sound like a tape echo." One after another they pop out the same old digital and bucket-brigade delays with a few new bells and whistles that supposedly "emulate the warble and tape head saturation of a tape echo" ...Bull-Dookies... That only flies with someone who has never played a good tape echo. For those in the know and in the care, there's no substitute... so settle for an approximation if you must, there's nothing wrong with that... but please spare the rhetoric.

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Gibson Super Bucker Pickup

Gregory Prestige Mark X

A vintage 1966 Gregory Prestige Mark X tube combo amp. Like many 60s American "off-brand" amps, the Mark X has a build quality and tone that punches way above its price tag. This handwired amp features thick, crunchy overdrive tone with plenty of top end sparkle--reminicient of a vintage AC15. It also sports an incredible all-tube tremolo.

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Groove Tube 1B

The GT1B 1B is a tube microphone that delivers a vintage sound using modern electronics. This enhanced reissue of the legendary Model 1A side-address, true condenser features a hand-assembled, hand-tested 1.10-inch diameter capsule with a machined brass housing. The ultra-thin 3-micron evaporated-gold diaphragm is the thinnest in the business. The triode-wired pentode operates in Class A mode. Groove Tubes rigorous quality control also insures that every microphone is within /-1 dB of a golden microphone spec to permit stereo pairing.

Ibanez 1976 S type

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JCR Bongo Bell Cowbell

These JCR Hand Held Bongo Bells are made by hand in the Bronx, NY by veteran bell maker Cali Rivera and his team of craftsmen. (expect a range, no two bells are exactly the same), they are very bright and metallic, perfect for salsa, latin jazz, and many other styles. JCR bells are what many professionals choose to play.

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Korg 03R/W

The 03R/W is a rompler module from the nineties - a Korg 01 budget spinoff module with less synthesis features but added a GS/GM Midi feature

Korg Cymbal 1 Card for DDD-1

Crash Cymbal sounds

Korg DDD-1 Rom Cart Latin 3 DDC-B03

Timbales, Bongo, Ago-go, Brazilian Whistle, Splash Cymbal

Korg DDD-1 Rom Cart Latin 5 DDC-05

Congas, Wood Block, Frying Pan, Garbage Cymbal

Korg DS-8

The DS-8 is Korg's contender among synths like the Roland D-50 and Yamaha DX7. It is a digital FM synthesizer with 4-operators per voice, 8 voices of polyphony and 8 parts multitimbrality. It's good for percussive, strange effect noises and such because its sound (similar to the DX7) is so unique. It has some digital effects such as chorus, flange, delay and analog-like controls for modulators, envelopes and the LFO. A joystick provides control of modulation and pitch bending. It also has a performance section for quick edits on the fly using (3) real-time sliders to control timbre, EG1 and EG2. A nice alternative to the common DX-7.

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Korg RSC-4S Rom Card Set for M3R

Expansion cards for the Korg M3R were released in pairs. One card contained PCM waveform data, and the other contained patch data. The PCM card is the same as used in the M1, while the patch card is specific to the M3R.

Moog Source Membrane

If the face of your Source has fallen off, here's a new one

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MXR 10 Band EQ

No matter what your instrument, regain control of your tone with this incredible EQ. The MXR 10-Band Graphic EQ gives players huge amounts of tone shaping and level control in a bullet-proof enclosure. With ten carefully chosen frequencies and both input and output level controls, the 10-Band will let you tune your bass or guitar rig to any room in seconds; create earthshaking low-end; restore punch, level, and treble response to a crowded pedalboard; warm up an amplified acoustic; and much, much more.

MXR 10 Band EQ

No matter what your instrument, regain control of your tone with this incredible EQ. The MXR 10-Band Graphic EQ gives players huge amounts of tone shaping and level control in a bullet-proof enclosure. With ten carefully chosen frequencies and both input and output level controls, the 10-Band will let you tune your bass or guitar rig to any room in seconds; create earthshaking low-end; restore punch, level, and treble response to a crowded pedalboard; warm up an amplified acoustic; and much, much more.

Oberheim Echoplex

The Echoplex Digital Pro is a digital delay designed for the performing artist! Although conceived in the early nineties, it's a lot like the new Repeater Loop Recorder from Electrix Pro. Because of the Echoplex's extended and high quality sampling time for its digital delay effect, the Echoplex can be used to record, sample, and play loops all in realtime! The Echoplex features 16-bit digital 44.1kHz recording/sampling to RAM. It ships with 50 seconds worth of memory, however this can be easily upgraded just like any sampler using standard RAM SIMM chips to up to 200 seconds of recording time.

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Oberheim Matrix-6R

6 voices of polyphony. Each of its 6 voices has a pair of DCOs, a low pass filter, 2 VCA's, 3 envelope generators, 2 LFO's, and 2 ramp gens for a variety of complex analog pads, basses and sounds.

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Roland CR-78

The CR-78 is a really great little box from Roland. It's a classic analog Rhythm Machine, not a drum machine, and was the first to use a microprocessor. It has 34 built in preset rhythm patterns which can be varied at the push of a button. These patterns include Rock, Disco, Waltz, Shuffle, Slow Rock, Swing, Fox Trot, Tango, etc... Some are cool, but the ability to vary them gives you some creative control. As for the drum sounds, the CR-78 offers 14 very electronic yet analog drum tones. Sounds include Kick, Snare, Rim, Cow Bell, HiHats, Cymbals, Congas, Bongos, Tambourine and Guiros. With 11 variation effects and the ability to adjust Tempo, accents, and fade in/outs the CR-78 is still capable of producing nice rhythms for use in ambient, HipHop, dub, and other electronic forms of music.

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Roland JD-800

W/Flight Case and Brand New Keybed. The JD-800 is Roland's answer to half a decade of hard-to-program synthesizers. Covered in sliders that act as dedicated editors just like a classic analog synth, the JD-800 is an extremely programmable and hands-on digital synthesizer. It is also an interesting and great sounding digital synth with incredible flexibility and control. Internal ROM based waveforms are combined to build your sounds. The sounds are based on Roland's D-50, but updated for the nineties with multimode filters - uncommon but welcome at the time

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Roland Juno-6

The first in a series of amazingly affordable quality synthesizers from Roland's amazing Juno family! The Juno-6 is a six voice polyphonic analog synthesizer! It's a very stable synth thanks to its digitally controlled analog oscillators. The Juno-6 sounds great, however it lacks basic necessities like MIDI control and patch memory storage. The next generation Juno-60 version added 56 patches of memory storage. Both of these synths sound virtually the same and are considered by many to sound better (punchier) than the popular follow up, the Juno-106. The Juno-6 and 60 are very rich sounding synthesizers and are great analog machines as long as you can overlook the absence of MIDI control.

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Roland M-DC1

More or less a hardware version of Roland's SR-JV80-06 Dance expansion board. This module provides "a rich variety of the phrase loops needed for the contemporary dance music scene, as well as voice, SE, bass, and lead sounds" (from the manual) Since that "contemporary dance music scene" was 1995, some of the loops and sounds feel a bit dated, buy hey, many of them have become classics in their own right. The loops on this machine are phenomenal, rich, fat, full and definitely head-nodding material. As it was popular in the '90s, real drum loops are mixed with the two dance staples, the TR-909 and TR-808. After the very generous offering of loops, we find numerous piano, organ, bass, pad and special fx sounds, almost all of which are fine-tuned to be used for dance tracks.

Roland MC-202

This is an analog synthesizer/sequencer. It sounds very much like the TB-303 and SH-101 bass synths. Sometimes considered the "poor man's 303". It has a very evolved form of TB-303 like programming (more like the MC-4) and SH-101 like controls of the VCO, VCF, VCA, LFO, Envelope and Mixer sections. The LCD display is a great feature too. The MC-202 was sort of a next-generation TB-303. So the idea was to program sequence/patterns into it internally which would give you those 303 basslines that we've come to love. But programming the MC-202 is a bit too intense and over done for the simple monophonic bass line. However you can control it externally by hooking up a MID-CV/Gate converter. Then you basically have yourself an SH-101! The sequencer is actually a 2-channel CV/gate sequencer, with both channels being capable of driving a separate external synth. It's a very useful unit, also, for its DINsync capabilities; it can receive on one port, and send over two, and also can 'split' DINsync to branch a sync signal out to multiple devices.

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Roland MPU-103

The MPU-103 is a MIDI channel filter/converter, and is useful for filtering out unneeded MIDI data (which could cause early MIDI units to crash), or for converting data from one MIDI channel to another.

Roland R-8 Card SN-R8-02 Jazz Brush

This Roland Sound Library SN-R8-02 Jazz Brush is a must-have for any music enthusiast. It features a unique collection of sounds that will elevate your music to the next level. The sound card is specifically designed for use with Roland products, making it a versatile addition to your setup. With its high-quality sounds and easy-to-use interface, this sound card is perfect for both beginners and professionals alike. The jazz brush sounds are perfect for creating a wide range of musical styles, and the library is constantly being expanded to include even more sounds. This is a great choice for anyone who wants to take their music to the next level.

Roland SN-U110-12 Sax & Trombone Rom for U-220 Etc

Single Card PCM with new PCM waveforms, compatible with: - Roland "U" series including : U20 / U220 / U110 - CM series including: CM32P / CM64 - keyboard model 660 / 760 / Kr55 - Roland MV-30 - NOTE: This one is NOT COMPATIBLE WITH D-70

Roland SN-UN110-07 Electric Guitar Rom

Single Card PCM with new PCM waveforms, compatible with: - Roland "U" series including : U20 / U220 / U110 - CM series including: CM32P / CM64 - keyboard model 660 / 760 / Kr55 - Roland MV-30 - Roland D-70

Roland TR-727

Before the TR-727, Roland released the now-legendary TR-909, which was developed as an analog-digital hybrid rather than a fully digital device. Memory chips and digital-to-analog converters were costly at the time, so there was concern that an all-digital design would make the product unaffordable for many musicians and would have limited sound shaping options. However, after the TR-909s release, Roland embraced the trend towards digital technology with a Latin percussion machine that combined sampled sounds with the user-friendly TR interface?newly enhanced with the hands-on immediacy of individual faders.

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Sequential Circuits Prophet 600

The sound of the Prophet 600 is brighter and harsher than that of a Juno 106 but still just as funky. The P600 has two oscillators per voice with sawtooth, triangle and variable pulse waveforms. The oscillators can be individually tuned or synced together. Similar quality VCF and VCA sections from the Prophet 5 can be found here too

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Sequential Circuits Prophet-5

One of the first fully programmable polyphonic analog synths, the Prophet 5 is the most classic synthesizer of the eighties! It is capable of a delightful analog sound unique to Sequential's Prophet series in which the P5 was King! Five voice polyphony - two oscillators per voice and a white noise generator. The analog filters, envelope and LFO all sound great and are extremely flexible. The P5 had patch memory storage as well, which scanned and memorized every knob setting for storing and recalling your sounds - a desperately needed feature at the time!

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Silvertone 1474

The 1474 is the 5th of the 6 Twin Twelves Silvertone marketed, all made by Danelectro. The 1474 is loud, bright and articulate, a perfect pedal platform. It sports its original pair of tasty Alnico Jensens, 4 6L6, tremolo, reverb and its original wood footswitch.

Symphony DX7 Rom/Ram Cart

Not sure what sounds are on it, but you can load your own

Yamaha DX7 Ram Cart

Not sure what sounds are on it, you can load your own.

Yamaha TX802

Despite its name, the TX802 FM Tone Generator is basically a rack-module version of the DX7mkII with full 8-part multi-timbral operation for sequencing and/or key mapping. It has 16-voices of polyphony and six digital FM Operators, the same as in the DX7mkII. There are 128 preset and 64 user patches for your sounds, as well as an external memory cartridge slot.

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Yamaha VC3301 Stage Rom for tg33

TG-33 Rom card